Selected Art Writings (mostly PDF files)

文章「 透過藝術形式介入性暴力議題的六招一式 」在《身體能說的秘密》多媒體藝術展 發表 。(2013/4/4-10)
My article "How to express the issue of sexual assault through art" was published in The Bodylogue: multi-media art exhibition in City University of Hong Kong (2013/4/4-10).
基於香港新修訂版權條例的討論對二次創作有許多誤解，我策劃了一個全部都是用現成片段或物料製作的實驗短片放映會和研討會「二手料、原創片」，去深化討論。節目曾於香港錄影太奇（2011年11月12日）、吉隆坡實驗電影及錄像節（2011年11月26日）和澳門的亞洲實驗影像活動（2011年12月11日）放映。加入兩個作品後，「二手料、原創片2」在伙炭藝術工作室開放計劃2012（2012年1月15日）放映。
策展論述：http://phoebeman.blogspot.com/2012/02/2.html

To respond to the new amendments of the Copyright Ordinance, I have curated a derivative video program "Second Hand Material Original Works". The program showed seven to nine experimental short videos which involve the use of copies of images or found footage. The programs have been shown in Videotage, Hong Kong (Nov. 12, 2011), Kuala Lumpur Experimental Film and Video Festival, (Nov. 26, 2011), Asian Experimental Video festival in Macao (Dec. 11, 2011). Two more works are added and "Second Hand Material Original Works 2" was shown in Fotanian Open Studio 2012, Hong Kong (Jan 15, 2012).
Curatorial Statement: http://phoebeman.blogspot.com/2012/02/second-hand-material-original-works.html
 

“Classic Remake: Hong Kong Experimental Shorts” EXiN Asian Experimental Film & Video Art Forum Collection, RCM The Museum of Modern Art, Nanjing, 2012, pp. 214-223.
 
“How to Narrate Asian Experimental Media?" (如何論述亞洲實驗媒體)”  EX!T 2010 – Experimental Media Art Festival in Taiwan (New) Stylo, (2010台灣國際實驗媒體藝術展暨亞洲論壇，主題：書寫亞洲) Image – Movement (影像 - 運動), Taiwan, November 2010, pp. 111-118.

Curatorial statement of Hong Kong Screening for EX!T 2010 .

 “Experimental Film and Video in Hong Kong” Film Appreciation Journal, Chinese Taipei Film Archive, Taiwan, July – September, 2010, No. 144 pp. 32-35.

“Experimental Film and Video in Hong Kong” Contemporary Art and Investment, July, 2010, Issue 43, Inner Mongolia Daily, pp. 18-21.


“Very Personal and Very Political: Experimental Film and Video in Hong Kong” Asia Experimental Media Issue, Common Life Books, Experimental Film and Video Festival in Seoul, South Korea, August, 2009, pp. 124 -129.
 
 “ Hong Kong Screening: Woman and Alternative” Asia Experimental Media Issue, Common Life Books, Experimental Film and Video Festival in Seoul, South Korea, August, 2009, pp. 130 -134.
我編輯的"Para/Site1996-2008"現已出版。Para/Site 藝術空間出版，2008年10月。
編輯前言：「一人一個故事」
書內的文章：「如何化解一個又一個矛盾---Para/Site的管理原則」PDF file
I edited a book called "Para/Site 1996-2008". It was published by Para/Site Art Space, August, 2008.
Editorial note: "One People One Story"
My article: "How we solved one dilemma after another - Para/Site's management principles" (2009/04/16)
《變身令人感動的博物館？美荷樓前世來生》2007年3月2日於獨立媒體上載。本文較早的版本於2007年3月1日明報刊登。PDF file
"Transformed to a touching museum? The past and the future of Mei Ho House." uploaded on Inmedia on Mar. 2, 2007, published in Ming Pao Daily on Mar. 1, 2007. (Chinese Only)
你走漏眼,不全是籮底橙---談香港的策劃展，PS 視覺藝術文化雜誌，香港: Para/Site藝術空間，2006年春，27期。(pdf file)
My article "You missed the good stuff – About curating exhibitions in Hong Kong" published in PS - visual arts and culture magazine, No. 27, Spring 2006. (pdf file)
水果、魚生、小菜 -三類策展方法，PS 視覺藝術文化雜誌，香港: Para/Site藝術空間，2006年春，27期。(pdf file)
My article "Fruit, sashimi, cuisine – three kind of methods to curate an exhibition" published in PS - visual arts and culture magazine, No. 27, Spring 2006. (pdf file)
覆何局長的家書 問題是你覺得無問題 
信報，2005年10月24日，頁28。(pdf file)
Art Policy Review " Dr. Patrick Ho: The problem is that you think there is no problem." published in Hong Kong Economic Journal on Oct. 24, 2005 in page 28. (Chinese Only)
《千瘡百孔的香港視藝生態 自主寄生式的生存策略》發表於「2005年藝術與文化學術研討會:高雄、香港、上海.文化、創意、新城市」，台灣中山大學, 2005年10月8日

"Hong Kong Art Ecology and the Survival Tactics of Para/Site Art Space", presented in
2005 Art and Cultural Academic Symposium: Kaohsiung, Hong Kong, Shanghai. Cultutre, Creativity, New City. Organised by Institute of Arts Management National Sun Yat-sen University

難道又是一個藝術檢查的例子嗎?信報，2005年8月25日，頁32。(pdf file)
My article about art censorship and the role of curator (Chinese only) published in Hong Kong Economic Journal on Aug. 25, 2008 in P. 32.
《前言》，「何慶基的策展工作及藝術」展覽場刋，香港: Para/Site藝術空間，2004年11月，頁8-9。
“Foreword”, Mapping Identities: The Art and Curating of Oscar Ho, Para/Site Art Space, Hong Kong, November 2004, pp.8-9.
《討論時常由零開始 – 九十年代至今的香港女性藝術展覽》，PS 視覺藝術文化雜誌，香港: Para/Site藝術空間，2004年冬，25期，頁50-56。
“Discussion Always Start From Zero – Women Art Since 1990s”, PS Visuals Arts and Culture Magazine, Para/Site Art Space, Hong Kong, Winter 2004, No. 25, pp. 50-56.
《創造自己的空間》，第九屆香港獨立短片及錄像比賽場刋，香港藝術中心，2004年，頁77。
“Creating One’s Own Space”, The 9th Hong Kong Independent Short Film & Video Awards 2003, Hong Kong Arts Centre, 2004, pp.77.
《「有人做過」的來龍去脈》，「有人做過」展覽場刋，香港: Para/Site藝術空間，2003年，1月。
“What They Have/Haven’t Done”, Exhibition Catalogue of “Someone’s Done It Before”, January 2003, pp.52-57.
《回應「女也」展的一些批評》, PS 視覺藝術文化雜誌，香港: Para/Site藝術空間，2002年夏，17期，頁7-9。
“In Response to the comments of Wo Man – Feminine Art Exhibition”, PS – Hong Kong Visual Arts and Culture Magazine no. 17, Summer 2002, pp.7-9.
《談幾件婆仔屋的作品》, PS 視覺藝術文化雜誌，香港: Para/Site藝術空間，2002年春，16期，頁3-5。
“On a Few Works in Old Ladies House, Macau", PS – Hong Kong Visual Arts and Culture Magazine no. 16, Spring 2002, pp.3-5.
《數數字藝術 》, PS 視覺藝術文化雜誌，香港: Para/Site藝術空間，2002年夏，17期，頁14-17。
“Number Art”, PS – Hong Kong Visual Arts and Culture Magazine no. 17, Summer 2002, pp.14-17.
《「盆景貓」是藝術？》，信報，2001年8月1日，頁32。
“Is Bonsai Cat a piece of Art?”, Hong Kong Economic Journal, 1 Aug., 2001, pp.32.
《從威尼斯雙年展看當代藝術》,   PS 視覺藝術文化雜誌，香港: Para/Site藝術空間  ，2001年秋，15期，頁14-17。                     
"Seeing Contemporary Art Through Venice Biennale", PS – Hong Kong Visual Arts and Culture Magazine no. 17, Autumn 2001, pp.14-17.